"The Undressing"

Oil on Canvas

79.5" x 60"

"Mirror Images"

Watercolor

30" x 38"

"Moreau"

"Mountain Car"

Acrylic on Canvas

45" x 60"

"skelephant"

digital painting on canvas

20" x 30"

Plate 7 from "Cirque du Macabre" suite

"Mad Desmoiselles"

Oil on Canvas

40" x 56"

"Parasite"

Oil on canvas

29" x 23.25"

"The beauty of mushrooms and plants along with the sense of heaviness"

"The Manor"

Acrylic on wood

48" x 36"

"My fascination lies in capturing the magical allure of birds, which symbolize joy and resilience. They embody adaptability, flying freely despite life's challenges. Through my art, I advocate for balance in nature, echoing our Sanskrit roots where Prakriti symbolizes the feminine essence in all life"

"Prakruti-1-Mother Nature"

Acrylic on wood

48" x 36"

"Rhythm with nature: Born and raised in India, I immersed myself in the artistic traditions alongside my father, deeply influenced by my heritage and the country's natural beauty. My paintings express narratives rooted in nature, employing intense colors and swirling forms to unveil its hidden beauty"

“Brincando sobre los charcos”

Acrylic & enamel paints with collage materials on canvas

20" x 16"

"Queen Protea"

Acrylic and salt on canvas

50" x 38"

"Solar Flare"

Acrylic and spray paint on canvas

25" x 19"

"Birdhouse"

"Circulatory System"

Ink and acrylic on cradled birch

24" x 24"

"This dreamscape piece is an open-ended abstract composed of dozens of interlocking images, thoughts, and ideas all melted together. This piece leans heavily into the subconscious and Pareidolia talking full effect with the viewer."

"The Awakening"

Mixed Media

20" x 26"

"OK TRUCK SUPPLY"

Acrylic on panel

20" x 20"

"Organic Forms #2"

Ink on paper, digital composition

16" x 16"

"This is my second perspective of a woman's crossed legs."

"We’ve been taught to listen"

Acrylic on canvas

26" x 38"

"Seating for Six"

oil on canvas

32" x 36"

"A collection of what I serve myself at the dinner table and what it may be like to host others with the experience of only hosting for one."

"Birthday"

Oil on canvas

30" x 40"

"A look into how I perceive life events as a single young woman. I host for myself and wait for others to join without knowing when they will take a seat at my table or walk through my front door."

"The Director II"

Charcoal and pastel

44" x 30"

"Venus After The Storm"

Oil on canvas

36" x 36"

“Part of the Venus series of paintings inspired by primitive ai's difficulty with reproducing human forms, its digital uncanniness laid bare yet humanized by analog materials.”

"Smokey the Bear"

Mixed Media

32.5" x 24.5"

"Shrouded Light, Glacier near Denali"

Digital Infrared Photography

8" x 12"

"Focus"

Paper on paper, acrylic ink.

19.25" x 19.25"

"I go in and out of sleep to pass the time."

paper collage

11" x 9.5"

"Portrait of the Artist"

Acrylic

55" x 65"

"Energy Body 1"

Oil

30" x 16"

"Hyena"

Stoneware, Basswood

30" x 16"

"MW3: Gaza City"

Acrylic on Paper

21" x 31"

"These works aim to expose the blurred notions and false realities created by the glorification of warfare and the propaganda that fuels it, by examining the abstract nature of the way war is portrayed through news and media. The works expose the disconnect of how imagery is interpreted."

"Blurry Doll Confessional"

Ink, wheat paste, and wood

50" x 25"

"This piece is a mosaic of 25 drawings, each depicting a separate space of cavernous yet confusing escape. Wheat pasted onto a board then encased in a hand-built and stained wooden frame. This environment is designed to be an hallucinogenic representation of escapism; for better or worse..."

"Nature Morte"

Colored Pencil on Paper

31.5" x 25.5"

"Daphne"

Oil on Canvas

22" x 30"

"Ice & Fire"

Acrylic Mix

24" x 48"

"Upādāna Prospecting Primary Commodities"

Oil

16" x 20"

""Upādāna is a Sanskrit word that means "fuel that is the source and means for keeping an active process energized." It is also a Buddhist concept referring to "attachment, clinging, grasping." This painting is Upādāna, attachments, consuming/prospecting primary commodities, natural resources."

"Pink Lemonade"

Archival pigment print

20" x 16"

""Pink Lemonade," is intended to bring a sense of delight. Like the delicious beverage, the artwork offers a sensory experience that revitalizes the spirit, a moment you can savor. Through the art of digital compositing, I aim to challenge conventional notions of reality."

"On the Move"

Mixed Media Collage

12" x 12"

"Halo"

Wood, Acrylic Paint, Mulberry Paper, Graphite, Woodcut

28" x 31"

"Matter of Being"

Oil on aluminum panel

19" x 14.5"

"Quiet House, Variation 1"

Graphite on paper

9.75" x 9.25"

"Them Shits Is Broke"

mix media on canvas

64" x 64"

"From the Blue Series, Red Lines and Circles"

Acrylic and colored pencil, paper on wood panel

20" x 15"

"Based on a suite of stories envisioned within portraits in monochromes, works such as this, combine my interest in engaging the viewers with figures in a transcendent state. With averted eyes and a conscious feeling almost as though it is outside of the picture, I seek to imply or suggest the unseen"

"El Dorado, 1966"

Oil on panel

12" x 12"

"Rio Bravo, 1959"

Oil on panel

12" x 12"

"Plot Twist"

Acrylic on Canvas

18" x 12"

"With every twist, the narrative evolves, reshaping itself into a new tale"

"Sue Nami (#5)"

Oil on Canvas

36" x 24"

"I borrowed Rembrandt's "The Storm on the Sea of Galilee" and mirrored the image to create this fifth version in my "Sue Nami" series."

"Untitled"

painting

24" x 16"

"Follow the Leader"

Acrylic on Canvas

24" x 36"

"The Bride"

"Skeletons in the Closet"

acrylic on canvas

46" x 35"

"The Glass Maker’s Daughter"

Glitter acrylic paint, oil on canvas

36" x 36"

"This piece explores how hyper-visibility manifest through materialism, functions as a tool to combat invisibility for Black women."

"Soma"

stickers on panel

48" x 28"

"What is the Soma of our modern Brave New World? This work organizes the noise of American culture into a recognizable signal – one that illuminates what we should be prioritizing when we’re so easily distracted from reality by the spectacle of our society." - Scalin

Link to a full statement about this work

"Huddled Masses I-IV"

stickers on panels

38" x 50"

"Inspired by images from the Department of Homeland Security report on overcrowding & prolonged detention at facilities in Texas. I use children's stickers to represent the noise of our modern American culture, organizing them into recognizable signals – illuminating what we should be prioritizing." - Scalin

Link to a full statement about this series.

"Coin Cunts"

vintage coin purses, thread, map tacks

Dimensions variable, 19" x 19" as installed

“In our reality of untruths and the political validation of misogynistic and racist undercurrents in the United States, the Coin Cunts stand as a visual symbol of empowerment and equality for all people with a vulva. By exposing the mysterious interior of a ubiquitous object, we find each Coin Cunt is distinct just as every human is unique. A tease to the imagination, these transposed coin purses challenge our visual, political and cultural associations of gender, money and power. Since their inception, the Coin Cunts have given voice to and raised awareness for many causes around the globe such as reproductive rights, the gender pay gap, bodily autonomy, FGM (female genital mutilation), racial disparities in reproductive health and the list continues to grow.” - Scott

Link to the artist’s website for more info.

"Nothing to Sea Here"

Linocut

34.5" x 43.5"

"We All fall apart Like Flowers"

Oil paint on wood panel

20" x 16"

"Telephone call, remembering the way home."

large format digital print

31.5" x 31.5"

"First Glance, Second Glance"

Oil on Canvas

20" x 16"

"Trick-or-treat Afterparty behind the Woodpile"

appliqué quilt

40" x 40"

"Using applique and quilting techniques, this work is collaged together from hundreds of different textiles that mend into the Catfriend’s ultimate Halloween afterparty. Join them… if you dare!"

"Agnus Dei"

Oil on Baltic Birch

65" x 105"

“This altarpiece triptych, which took 1700 hours, is a musing on the moral innocence of animals, something we as humans cannot claim for ourselves. In the biblical book of Isaiah, chapter 53, we read a prophecy about a Suffering Servant likened to an innocent lamb:

He was oppressed and afflicted, yet he did not open his mouth;he was led like a lamb to the slaughter, and as a sheep before its shearers is silent, so he did not open his mouth.” - Tiessen

Link to artist’s website for the full statement on this piece.

"Apu - Sacred volcano"

alkyd oil on canvas

30" x 36"

"Narrative painting representing a volcano's spirit in the andean cosmovision called Apu in quechua. The abstract high altitude agriculture & andean's symbolism forms the body of this colossal "Taita Chimborazo" or father Chimborazo the closest point from Earth to the Sun."

"Murmurations II"

Oil

12" x 10"